To what degree can a few seconds impact an entire film? In his review of Thelma and Louise, Roger Ebert argues that the climactic shot ends a few seconds too soon, and as such robs the film as a whole of just enough power that it doesn’t get **** from him. And in the case of Birdman, there are a few moments, which add up to less than a minute of the film’s two hours, which haunt me enough that I cannot rank it higher (as of this writing, I put it at #8 for the year). (Addendum: after further meditation, I’ve decided that these elements are not quite as damaging as I first surmised, so I’m bumping my score up a point, and the film up to #6.)
But at the same time, so much of the film is so good–so well directed and so richly acted–that even considering those troubling moments, I cannot rank it less than ****. One could fairly dispute whether it says anything truly new about the nature of acting and about role-playing in general, but it whatever it says, it says it in a tremendously entertaining fashion.