The Book of Henry is certainly not a good film, but calling it a bad one doesn’t seem to fit; it falls short of the mark, but not in the way a truly bad film does. Rather, it fails to answer two vital questions—who is it for, and what is it about?—and it’s hard to imagine anyone being satisfied with the end result.
SAG announced their nominations today.
Historically, the film that wins Best Ensemble here has to be considered the Best Picture frontrunner. Looking at that category, it seems pretty likely.
But as far as the individual acting categories are concerned…things can get strange. Sometimes SAG nominates actors who seemed primed for an Oscar nod and failed to connect (Oprah in The Butler, for one), and other times they nominate someone seemingly out of the blue (Naomi Watts in St. Vincent, Nicole Kidman in The Paperboy).
I can’t speak about the former, but the latter is surely on display today.
The NBR has become one of my very favorite awards groups.
Do you know why?
Hit that jump and let’s dig right the fuck in.
We all knew this would be a major Oscar contender from the outset. Last year’s winner for Director (and Picture, and Screenplay) teams up with a cinematographer who’s just won back-to-back Oscars, a star who’s widely considered damnably overdue, a co-star who’s very hot at the moment (and has two other major films this year), and a strong up-and-comer (Domhnall Gleeson). They shoot on location in Canada in the dead of winter, and planned to shoot in sequence (apparently, they weren’t able to), and release the film right in the thick of December.
They know what they’re doing.
And, while I really need to see this trailer in a theater to get the maximum effect, I won’t lie; my interest is being maintained. I could see this being overwrought and too self-serious, but I could also see it being surreal and haunting. It’s a little hard to tell just how good a performance DiCaprio is giving, but I doubt he’ll disappoint. Hopefully future trailers will show more of the rest of the cast, but for now we’ve got Lubezki’s incredible cinematography and Iñárritu’s vivid direction to whet our appetites. The mountain of skulls in particular could be one of the year’s defining images.
I’m predicting many nominations, with Picture, Director, Adapted Screenplay, Actor, Supporting Actor, Cinematography, Editing, Makeup/Hairstyling, Score, Sound Mixing, and Sound Editing being the strongest possibilities.
And here we’ve got the latest from my nemesis…David O. fucking Russell. Read on: