If you want the gravy…

…You've got to get the biscuits!


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My 5th Annual Film Awards: Your Winners, My Winners, and My Rankings for Each Category

It’s time.

I was going to have a survey here, but I’ll save that for Monday.

A quick thanks to all of you who voted and all of you who got the vote out. The turn-out this year was lower than last year’s, but I must attribute some of that to my getting the polls up so late. I’ll see if I can’t do better next year.

Click that button to see our results.

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The Guilds Speak, Part II: Directors, Costume Designers, Sound Mixers, and VFXers

Film-The Big Short

Smile. You’re having a hell of a season. (Source)

The final spate of guild announcements before the Oscars announce their nominations (aside from the Makeup & Hairstyling Guild, who announce tomorrow).

The Directors Guild is the big one that we’re interested in. And they’ve made things interesting today.

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My Six-Month Film Awards: 2015

Not a bad start to the year.

Not a bad start to the year.

I decided to list the top 20 in each category, though most categories don’t have even half that many contenders. The top 5 in each category are my nominees, and as such are bolded.

Picture:

  1. Mad Max: Fury Road
  2. Inside Out
  3. Love & Mercy
  4. Ex Machina
  5. Spy
  6. It Follows
  7. Kumiko, the Treasure Hunter
  8. Maps to the Stars
  9. ’71
  10. Me and Earl and the Dying Girl
  11. Kingsman: The Secret Service
  12. Avengers: Age of Ultron

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MAD MAX FURY ROAD: Oscar contender?


I’ve shared this elsewhere online and figured I’d put it up here.

Once upon a time I’d have thought it a fantasy. A genre film in the tradition of a cult series known as much for its punkish aesthetic as for its action? Not bloody likely.

That was then. This is now.

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MAD MAX FURY ROAD Final Review – *****

“As the world fell, each of us, in our own way, was broken. It was hard to know who was more crazy–me, or everyone else.” (Source)

When I first came out of Fury Road, I wasn’t sure what to think, nor did I know how the critics would respond to it. The critics spoke–and were nearly unanimous in their praise. But I knew I had to see it again for myself, to see if I would be swept up in the chorus of praise, or if, in sorrow, I would have to admit the film I had so longed to see, the film so many deemed a masterpiece, was in fact unworthy of its laurels.

But you see those five stars at the top of the page. You know how this story ends.

I’ll say it now–Fury Road is the best film in at least 18 months, and the best summer blockbuster in five years. I delighted at George Miller’s “mastermind” billing in the trailers, but it was absolutely justified. He draws on aspects of the original trilogy, from small touches (the little music box, for one) to primary themes–the damning social critique of Mad Max, the relentless brutality of The Road Warrior, and the post-apocalyptic grotesquerie of Beyond Thunderdome. Here, working with a budget far greater than the budgets of the originals combined, he has crafted a film which draws from and, in my opinion, exceeds them.

He, and an incredibly talented team, have made a masterpiece.

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